- * implies two splits, one between the end of the "before"
- * context and the start of the group, and another between
- * the end of the group and the beginning of the "after"
- * context. Some splits are aesthetically better and some
- * are worse. We compute a badness "score" for each split,
- * and add the scores for the two splits to define a
- * "score" for each position that the group can be shifted
- * to. Then we pick the shift with the lowest score.
+ * implies two splits, one between the end of the
+ * "before" context and the start of the group, and
+ * another between the end of the group and the
+ * beginning of the "after" context. Some splits are
+ * aesthetically better and some are worse. We compute
+ * a badness "score" for each split, and add the scores
+ * for the two splits to define a "score" for each
+ * position that the group can be shifted to. Then we
+ * pick the shift with the lowest score.