-<p>Acme is a condensed display typeface inspired by the visual language of classic cartoons and comics. It is designed to be used in headlines, and has a particular and groovy rhythm. The resulting texts are vivid but consistent, and its expressive characteristics work as well on screen as in print. The glyphs were each carefully designed, with top curve quality. It is well balanced, and carefully spaced by eye.</p> <p>Designed by Juan Pablo del Peral for <a href="http://www.huertatipografica.com.ar">Huerta Tipográfica</a>.</p>
\ No newline at end of file
+<p>Acme is a condensed display typeface inspired by the visual language of classic cartoons and comics. It is designed to be used in headlines, and has a particular and groovy rhythm. The resulting texts are vivid but consistent, and its expressive characteristics work as well on screen as in print. The glyphs were each carefully designed, with top curve quality. It is well balanced, and carefully spaced by eye.</p> <p>Designed by Juan Pablo del Peral for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.</p>
<p>Alegreya is a typeface originally intended for literature. Among its crowning characteristics, it conveys a dynamic and varied rhythm which facilitates the reading of long texts. Also, it provides freshness to the page while referring to the calligraphic letter, not as a literal interpretation, but rather in a contemporary typographic language.</p>
-<p>The italic has just as much care and attention to detail in the design as the roman. The bold weights are strong, and the Black weights are really experimental for the genre. There is also a <a href="http://www.google.com/fonts/specimen/Alegreya+SC"> Small Caps</a> sister family.</p>
+<p>The italic has just as much care and attention to detail in the design as the roman. The bold weights are strong, and the Black weights are really experimental for the genre. There is also a <a href="http://www.google.com/fonts/specimen/Alegreya+SC"> Small Caps</a> sibling family.</p>
<p>Not only does Alegreya provide great performance, but also achieves a strong and harmonious text by means of elements designed in an atmosphere of diversity.</p>
<p>The Alegreya type system is a "super family", originally intended for literature, and includes serif and <a href="http://www.google.com/fonts/specimen/Alegreya+Sans">sans serif</a> sister families.</p>
-<p>Designed by Juan Pablo del Peral for <a href="http://www.huertatipografica.com.ar">Huerta Tipográfica</a>.</p>
+<p>Designed by Juan Pablo del Peral for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.</p>
+
+<p>To contribute, see <a href="https://github.com/huertatipografica/Alegreya">github.com/huertatipografica/Alegreya</a>.</p>
There is also a <a href="http://www.google.com/fonts/specimen/Alegreya+Sans+SC">Small Caps</a> companion family.
</p>
<p>
-The Alegreya type system is a "super family", originally intended for literature, and includes sans and <a href="http://www.google.com/fonts/specimen/Alegreya">serif</a> sister families.
+The Alegreya type system is a "super family", originally intended for literature, and includes sans and <a href="http://www.google.com/fonts/specimen/Alegreya">serif</a> sibling families.
The family follows humanist proportions and principles, and achieves a ludic and harmonious paragraph through elements carefully designed in an atmosphere of diversity.
The italics bring a strong emphasis to the roman styles.
</p>
<p>
-Designed by Juan Pablo del Peral for <a href="http://www.huertatipografica.com.ar">Huerta Tipográfica</a>.
+Designed by Juan Pablo del Peral for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.
+</p>
+
+<p>
+To contribute, see <a href="https://github.com/huertatipografica/Alegreya-Sans">github.com/huertatipografica/Alegreya-Sans</a>.
</p>
This gives a pleasant feeling to readers of long texts.
</p>
<p>
-The Alegreya type system is a "super family", originally intended for literature, and includes sans and <a href="http://www.google.com/fonts/specimen/Alegreya">serif</a> sister families.
+The Alegreya type system is a "super family", originally intended for literature, and includes sans and <a href="http://www.google.com/fonts/specimen/Alegreya">serif</a> sibling families.
The family follows humanist proportions and principles, and achieves a ludic and harmonious paragraph through elements carefully designed in an atmosphere of diversity.
The italics bring a strong emphasis to the roman styles.
</p>
<p>
-Designed by Juan Pablo del Peral for <a href="http://www.huertatipografica.com.ar">Huerta Tipográfica</a>.
+Designed by Juan Pablo del Peral for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.
+</p>
+
+<p>
+To contribute, see <a href="https://github.com/huertatipografica/Alegreya-Sans">github.com/huertatipografica/Alegreya-Sans</a>.
</p>
<p>Alegreya is a typeface originally intended for literature. Among its crowning characteristics, it conveys a dynamic and varied rhythm which facilitates the reading of long texts. Also, it provides freshness to the page while referring to the calligraphic letter, not as a literal interpretation, but rather in a contemporary typographic language.</p>
-<p>The italic has just as much care and attention to detail in the design as the roman. The bold weights are strong, and the Black weights are really experimental for the genre. This is the Small Caps sister family that complements the master <a href="http://www.google.com/fonts/specimen/Alegreya">Alegreya</a> family.</p>
+<p>The italic has just as much care and attention to detail in the design as the roman. The bold weights are strong, and the Black weights are really experimental for the genre. This is the Small Caps sister family that complements <a href="http://www.google.com/fonts/specimen/Alegreya">Alegreya</a>, the main family.</p>
<p>Not only does Alegreya provide great performance, but also achieves a strong and harmonious text by means of elements designed in an atmosphere of diversity.</p>
<p>The Alegreya type system is a "super family", originally intended for literature, and includes serif and <a href="http://www.google.com/fonts/specimen/Alegreya+Sans">sans serif</a> sister families.</p>
-<p>Designed by Juan Pablo del Peral for <a href="http://www.huertatipografica.com.ar">Huerta Tipográfica</a>.</p>
+<p>Designed by Juan Pablo del Peral for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.</p>
+
+<p>To contribute, see <a href="https://github.com/huertatipografica/Alegreya">github.com/huertatipografica/Alegreya</a>.</p>
<p>Andada Pro is an organic-slab serif, hybrid style and medium contrast type for text, initially designed to be used in a specific bilingual context, Spanish and Guaraní (pre-hispanic) languages. This font has received an award at the Ibero-America Design Biennial. The Biennial has been shown in Spain, Argentina, Chile, El Salvador, Uruguay, Bolivia, Colombia and Venezuela.</p>
-<p>To contribute see <a href="https://github.com/huertatipografica/Andada-Pro">github.com/huertatipografica/Andada-Pro</a>.</p>
\ No newline at end of file
+<p>Designed by Carolina Giovagnoli for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.</p>
+
+<p>To contribute see <a href="https://github.com/huertatipografica/Andada-Pro">github.com/huertatipografica/Andada-Pro</a>.</p>
-<p>People read and interact with text on screens more and more each day. What happens on screen ends up being more important than what comes out of the printer. With the accelerating popularity of electronic books, type designers are working hard to seek out the ideal designs for reading on screen.</p> <p>Motivated by my love for the pixel I designed Bitter. A "contemporary" slab serif typeface for text, it is specially designed for comfortably reading on any computer or device. The robust design started from the austerity of the pixel grid, based on rational rather than emotional principles. It combines the large x-heights and legibility of the humanistic tradition with subtle characteristics in the characters that inject a certain rhythm to flowing texts.</p> <p>Bitter has little variation in stroke weight and the Regular is thicker than a normal ‘Regular’ style for print design. This generates an intense color in paragraphs, accentuated by the serifs that are as thick as strokes with square terminals.</p> <p>Each glyph is carefully designed with an excellent curve quality added to the first stage of the design, that was entirely made in a pixel grid. The typeface is balanced and manually spaced to use very few kerning pairs, especially important for web font use since most browsers do not currently support this feature.</p> <p>Designed by Sol Matas for <a href="http://www.huertatipografica.com.ar/">Huerta Tipográfica</a></p>
+<p>People read and interact with text on screens more and more each day. What happens on screen ends up being more important than what comes out of the printer. With the accelerating popularity of electronic books, type designers are working hard to seek out the ideal designs for reading on screen.</p>
+
+<p>Motivated by her love for the pixel, Sol Matas designed Bitter. A "contemporary" slab serif typeface for text, it is specially designed for comfortably reading on any computer or device. The robust design started from the austerity of the pixel grid, based on rational rather than emotional principles. It combines the large x-heights and legibility of the humanistic tradition with subtle characteristics in the characters that inject a certain rhythm to flowing texts.</p>
+
+<p>Bitter has little variation in stroke weight and the Regular style is thicker than a usual ‘Regular’ style for print design. This generates an intense color in paragraphs, accentuated by the serifs that are as thick as strokes with square terminals.</p>
+
+<p>Each glyph is carefully designed with an excellent curve quality added to the first stage of the design, that was entirely made in a pixel grid. The typeface is balanced and manually spaced to use very few kerning pairs.</p>
+
+<p>To contribute, see <a href="https://github.com/solmatas/BitterPro">github.com/solmatas/BitterPro</a>.</p>
-<p>Cambo is a modern Latin typeface inspired by the contrast, style and ornaments of Khmer typefaces and writing styles. Its main objective is to be used to write Latin texts in a Khmer context, but it is also an elegant choice for all kinds of texts.</p> <p>Designed by Carolina Giovagnoli and Andrés Torresi for <a href="http://www.huertatipografica.com.ar">Huerta Tipográfica</a>.</p>
\ No newline at end of file
+<p>Cambo is a modern Latin typeface inspired by the contrast, style and ornaments of Khmer typefaces and writing styles. Its main objective is to be used to write Latin texts in a Khmer context, but it is also an elegant choice for all kinds of texts.</p> <p>Designed by Carolina Giovagnoli and Andrés Torresi for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.</p>
\ No newline at end of file
-<p>Gochi Hand is a typographic interpretation of the handwriting of a teenage girl. The style is fresh, not like the letters made by a calligrapher, but those of an ordinary person. The text line is spontaneous but solid and consistent, expressive and works well on screen, even in small sizes. The glyphs were carefully designed with a good curve quality that makes it able to look good when printed too.</p> <p>Designed by Juan Pablo del Peral for <a href="http://www.huertatipografica.com.ar/">Huerta Tipográfica</a>.</p>
\ No newline at end of file
+<p>Gochi Hand is a typographic interpretation of the handwriting of a teenager. The style is fresh, not like the letters made by a calligrapher, but those of an ordinary person. The text line is spontaneous but solid and consistent, expressive and works well on screen, even in small sizes. The glyphs were carefully designed with a good curve quality that makes it able to look good when printed too.</p>
+
+<p>Designed by Juan Pablo del Peral for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.</p>
+
+<p>To contribute, see <a href="https://github.com/huertatipografica/gochi-hand">github.com/huertatipografica/gochi-hand</a>.</p>
Piazzolla is a type system intended for optimizing the available space in press media and other publications. It has a compact appearance which allows for small font sizes and tight leading while achieving solid lines and robust paragraphs.
It has a distinctive voice that conveys a personal style, especially in display sizes. It has great performance and readability in small point sizes and long texts, both for screen and printing.
</p>
-<p>
-Piazzolla is designed by Huertatipografica, to contribute see <a href="https://github.com/huertatipografica/piazzolla">https://github.com/huertatipografica/piazzolla</a>.
-</p>
+
+<p>Designed by Juan Pablo del Peral for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.</p>
+
+<p>To contribute see <a href="https://github.com/huertatipografica/piazzolla">github.com/huertatipografica/piazzolla</a>.</p>
-<p>Telex is a humanist sans serif conceived to be a web font with nice legibility at normal text sizes. Originally based on grid fitting shapes it became a multi-purpose typeface with low contrast, open counter forms, wide proportions and a touch of freshness.</p> <p>Designed by Andrés Torresi for <a href="http://www.huertatipografica.com.ar">Huerta Tipográfica</a>.</p>
\ No newline at end of file
+<p>Telex is a humanist sans serif conceived to be a web font with nice legibility at normal text sizes. Originally based on grid fitting shapes it became a multi-purpose typeface with low contrast, open counter forms, wide proportions and a touch of freshness.</p>
+
+<p>Designed by Andrés Torresi for <a href="https://www.huertatipografica.com">Huerta Tipográfica</a>.</p>
projects / thirdparty / google / fonts.git / commitdiff
