Add article edits that were left out of last PR (#5713)

diff --git a/ofl/anekbangla/DESCRIPTION.en_us.html b/ofl/anekbangla/DESCRIPTION.en_us.html
index 71fd524d399a42315c8fdeb1af04fdd859705683..642b3c092a807b131d22b3cc4f1f9b5f2edb5b01 100644 (file)
--- a/ofl/anekbangla/DESCRIPTION.en_us.html
+++ b/ofl/anekbangla/DESCRIPTION.en_us.html
@@ -20,4 +20,4 @@
     (Anek Tamil), Sulekha Rajkumar (Anek Bangla), Vaishnavi Murthy (Anek Kannada), Omkar Bhoir (Anek Telugu), Mrunmayee
     Ghaisas (Anek Gujarati), Mahesh Sahu (Anek Odia), and Sarang Kulkarni (Anek Gurmukhi). Project management and design
     assistance by Noopur Datye, and Font engineering and design assistance by Girish Dalvi.</p>
-<p> To contribute, see <a href="https://github.com/EkType/Anek/">github.com/EkType/Anek</a></p>
\ No newline at end of file
+<p> To contribute, see <a href="https://github.com/EkType/Anek/">github.com/EkType/Anek</a></p>

diff --git a/ofl/anekdevanagari/article/ARTICLE.en_us.html b/ofl/anekdevanagari/article/ARTICLE.en_us.html
index 35660c4e3d7ea5ab98d03898135ae7b2b3548018..76d4b992d6cfd1f740a384273a5726cbed8376c7 100644 (file)
--- a/ofl/anekdevanagari/article/ARTICLE.en_us.html
+++ b/ofl/anekdevanagari/article/ARTICLE.en_us.html
@@ -1,23 +1,23 @@
-<p> Anek, as the meaning of the word suggests, is an exercise in multiplicity — multiple scripts designed in multiple
+<p>Anek, as the meaning of the word suggests, is an exercise in multiplicity — multiple scripts designed in multiple
   weights and widths by multiple designers. A well-informed, conscientious and refreshing interpretation of India’s
   letter traditions, this family offers a versatile system that can meet the demands of a wide range of applications.
 </p>
-<p> Its expansive design space allows Anek to don multiple personalities. At its most condensed, capsular forms keep
+<p>Its expansive design space allows Anek to don multiple personalities. At its most condensed, capsular forms keep
   structures compact for that graphic texture. On the wide end of the spectrum, the extra legroom lets each letter
   yawn and stretch into their message. But it is in the boldest weights that Anek comes alive. Sharp terminals and
   tapered joineries sparkle amidst regimented forms, making this ideal for setting titillating headlines or that
   magnetic word-mark.</p>
-<p> Anek comes in <a href="/?query=Anek">ten scripts</a>: Bangla, Devanagari, Kannada, Latin, Gujarati, Gurmukhi,
+<p>Anek comes in <a href="/?query=Anek">ten scripts</a>: Bangla, Devanagari, Kannada, Latin, Gujarati, Gurmukhi,
   Malayalam, Odia, Tamil and Telugu. The shared aesthetics of this type-family are drawn from a collaboratively
   decided pool of visual features. At the same time, each script amalgamates influences from its own typographic
   culture as well as the perspectives of individual designers. </p>
-<p> This project is designed, engineered and maintained by Ek Type; a collective of type designers based in Mumbai
+<p>This project is designed, engineered and maintained by Ek Type; a collective of type designers based in Mumbai
   focused on designing contemporary Indian typefaces. Contributors of this project are: Maithili Shingre (Anek
   Malayalam, Anek Kannada), Yesha Goshar (Anek Latin, Anek Odia), Kailash Malviya (Anek Devanagari), Aadarsh Rajan
   (Anek Tamil), Sulekha Rajkumar (Anek Bangla), Vaishnavi Murthy (Anek Kannada), Omkar Bhoir (Anek Telugu), Mrunmayee
   Ghaisas (Anek Gujarati), Mahesh Sahu (Anek Odia), and Sarang Kulkarni (Anek Gurmukhi). Project management and design
   assistance by Noopur Datye, and Font engineering and design assistance by Girish Dalvi.</p>
-<p> To contribute, see <a href="https://github.com/EkType/Anek/">github.com/EkType/Anek</a></p>
+<p>To contribute, see <a href="https://github.com/EkType/Anek/">github.com/EkType/Anek</a></p>
 <hr>
 <h3>Multiple scripts for multilingual India</h3>
 <h4>The award-winning Anek variable font</h4>

diff --git a/ofl/dynapuff/article/ARTICLE.en_us.html b/ofl/dynapuff/article/ARTICLE.en_us.html
index 2aac308228af32d7854072a361de282e75f54fa8..4a11e63da513cf6c5cf26a8982d131269a1dec09 100644 (file)
--- a/ofl/dynapuff/article/ARTICLE.en_us.html
+++ b/ofl/dynapuff/article/ARTICLE.en_us.html
@@ -1,3 +1,18 @@
+<p>
+  Dynapuff’s loveable demeanor and hand-drawn charm makes it well suited for your, <i>“zomg’s”</i> and <i>“asdfajlskdfjalksdfjkj’s”</i>.
+  😂😂😂😂😂 Dynapuff features OpenType code that alternates the vertical position of the letters to make those <i>“noooooooooo waaaaaaay”</i>s appear hand-drawn
+  and less like a robot texting on a typewriter.
+  Give it a whirl in Google’s keyboard (<a href="https://play.google.com/store/apps/details?id=com.google.android.inputmethod.latin">Gboard</a>)
+  where you can transform text messages into typographic stickers.
+  Plain text <i>“hahas”</i> are a thing of the past after you’ve sent an <i>“lol”</i> in Dynapuff.
+</p>
+<p>
+  What Dynapuff might lack in subtlety, it makes up for it with its playful and flexible typographic energy.
+  Designed by Toshi Omagari, this casual typeface is optimized for legibility in small text environments like stickers or candy packaging.
+  It also manages to be large when displayed in children’s books to shop signage.
+</p>
+<p>To contribute see <a href="https://github.com/googlefonts/dynapuff">github.com/googlefonts/dynapuff</a>.</p>
+<hr>
 <img src="hero.png">
 <h3>Have fun making stickers with DynaPuff</h3>
 <h4>Create custom text stickers on Android and Pixel phones</h4>