Update content.md (#5642)

diff --git a/cc-by-sa/knowledge/modules/type_in_china_japan_and_korea/lessons/type_classification_in_cjk_korean/content.md b/cc-by-sa/knowledge/modules/type_in_china_japan_and_korea/lessons/type_classification_in_cjk_korean/content.md
index 6e997bccf8c92ff9a73ce73ed5e5d0822203c657..cdaf69eab4e37ac8ca9d2912e4ca1cd016e9a98c 100644 (file)
--- a/cc-by-sa/knowledge/modules/type_in_china_japan_and_korea/lessons/type_classification_in_cjk_korean/content.md
+++ b/cc-by-sa/knowledge/modules/type_in_china_japan_and_korea/lessons/type_classification_in_cjk_korean/content.md
@@ -1,14 +1,14 @@
 The basic type classification of serif and sans for Korean has a lot in common with Japanese, but since Korean letterforms are fundamentally geometric and have less variety in terms of curves than Japanese, the characteristics to look when understanding the classification is a little different.
 
-Korean old-style serifs also have small counters, but not always the small letter size. However, the strokes could be more brush-like and lingering, rather than systematic. The unique part is that although most old-style serifs in Latin and Japanese would have humanist brush strokes, because they developed from brush writing, Korean old-style serifs are the other way around: They follow the original geometric letterform of the Hangeul from Hunminjeongum. For more information, read our [Designing Hangeul](/lesson/an_introduction_to_hangeul) collection of articles by Darrell Penta.
+Korean old-style serifs also have small counters, but not always the small letter size. However, the strokes can be more brush-like and lingering, rather than systematic. The unique part is that although most old-style serifs in Latin and Japanese would have humanist brush strokes, because they developed from brush writing, Korean old-style serifs are the other way around: They follow the original geometric letterform of the Hangeul from Hunminjeongum. For more information, read our [Designing Hangeul](/lesson/an_introduction_to_hangeul) collection of articles by Darrell Penta.
 
 <figure>
 
-![Comparison of old-style and modern KR serif - Gowun Batang VS. Noto Serif, Nanum Myeongjo. Show what parts expresses geometric/humanisticness](images/06.svg)
+![Comparison of old-style and modern KR serif Gowun Batang VS. Noto Serif, Nanum Myeongjo. Show what parts expresses geometric/humanisticness](images/06.svg)
 
 </figure>
 
-Modern serifs in Korean could have several different characteristics. [Noto Serif KR](https://fonts.google.com/noto/specimen/Noto+Serif+KR) is a classic modern serif, with humanist letterforms and distinctive elements. Nanum Myeongjo is a more unusual modern serif, with stiff elements, and larger than Noto Serif KR. Even though the typeface has a strong uniqueness, as long as it’s intended for text usage, it’s considered a modern serif, not a display.
+Modern serifs in Korean can have several different characteristics. [Noto Serif KR](https://fonts.google.com/noto/specimen/Noto+Serif+KR) is a classic modern serif, with humanist letterforms and distinctive elements. Nanum Myeongjo is a more unusual modern serif, with stiff elements, and larger letter size than Noto Serif KR. Even though the typeface has a strong uniqueness, as long as it’s intended for text usage, it’s considered a modern serif, not a display.
 
 The sans serif classification in Korean is more of a development of the design rather than a classification category. Typical old-style Korean sans serifs will have full-width square letterform, and each component has a wider range of different sizing to forcibly fit the square form. 
 
@@ -30,7 +30,7 @@ Most Korean fonts are monospaced by default, but very rarely there are also prop
 
 <figure>
 
-![Sample of non-square KR font - Dongle](images/09.svg)
+![Sample of non-square KR font Dongle](images/09.svg)
 
 </figure>