From: Emma Marichal Date: Wed, 28 Feb 2024 13:38:56 +0000 (+0100) Subject: [gftools-packager] Frank Ruhl Libre: Version 6.004 added X-Git-Url: http://git.ipfire.org/cgi-bin/gitweb.cgi?a=commitdiff_plain;h=3b340129b8ff8dd49a77f704d62195e64ddaf5de;p=thirdparty%2Fgoogle%2Ffonts.git [gftools-packager] Frank Ruhl Libre: Version 6.004 added * Frank Ruhl Libre Version 6.004 taken from the upstream repo https://github.com/fontef/frankruhllibre at commit https://github.com/fontef/frankruhllibre/commit/2372d1998e51dc011f86554c0d23f1ccf44afddf. --- diff --git a/ofl/frankruhllibre/DESCRIPTION.en_us.html b/ofl/frankruhllibre/DESCRIPTION.en_us.html index 5bc788f62a..6c50b18b73 100644 --- a/ofl/frankruhllibre/DESCRIPTION.en_us.html +++ b/ofl/frankruhllibre/DESCRIPTION.en_us.html @@ -1,14 +1,23 @@

-Frank Ruhl Libre is an open source version of the classic Hebrew typeface Frank Rühl, the most ubiquitous Hebrew typeface in print. -Frank Rühl was designed in 1908 by Rafael Frank in collaboration with Auto Rühl of the C. F. Rühl foundry of Leipzig. -A final version was released in 1910. -Many Israeli books, newspapers and magazines use Frank Rühl as their main body text typeface. + Frank Ruhl Libre is an open source version of the classic Hebrew typeface Frank Rühl, the most ubiquitous Hebrew typeface in print. + Frank Rühl was designed in 1908 by Rafael Frank in collaboration with Auto Rühl of the C. + F. + Rühl foundry of Leipzig. + A final version was released in 1910. + Many Israeli books, newspapers and magazines use Frank Rühl as their main body text typeface.

-Made to accommodate the growing need for typefaces in secular Hebrew writings, the typeface was fitted to modern printing demands and designed to be readable in longform text, with and without vowel marks. -Frank Rühl has Sephardi proportions (mem-height is approximately 4½ stroke widths), and is based roughly on Venetian typefaces used by printer Daniel Bomberg. -Frank wrote of his design that he wishes to combine the simpleness of Antiqua with the "pleasantness" of Fraktur, leading him to "quieten" the letterforms by reducing the contrast between its thin and thick strokes. + Made to accommodate the growing need for typefaces in secular Hebrew writings, the typeface was fitted to modern printing demands and designed to be readable in longform text, with and without vowel marks. + Frank Rühl has Sephardi proportions (mem-height is approximately 4½ stroke widths), and is based roughly on Venetian typefaces used by printer Daniel Bomberg. + Frank wrote of his design that he wishes to combine the simpleness of Antiqua with the "pleasantness" of Fraktur, leading him to "quieten" the letterforms by reducing the contrast between its thin and thick strokes. +

+

+ This newly designed revival by Yanek Iontef is a family of 7 weights, Light to Black (the original typeface had only one) and in November 2022, it became variable and offers a larger choice of weights. +

+

+ To contribute, see + + github.com/fontef/frankruhllibre + + .

-

This newly designed revival by Yanek Iontef is a family of 7 weights, Light to Black (the original typeface had only one) and in November 2022, it became variable and offers a larger choice of weights.

- -

To contribute, see github.com/fontef/frankruhllibre.

diff --git a/ofl/frankruhllibre/FrankRuhlLibre[wght].ttf b/ofl/frankruhllibre/FrankRuhlLibre[wght].ttf index 104df9a5a1..ff5f0b4c22 100644 Binary files a/ofl/frankruhllibre/FrankRuhlLibre[wght].ttf and b/ofl/frankruhllibre/FrankRuhlLibre[wght].ttf differ diff --git a/ofl/frankruhllibre/METADATA.pb b/ofl/frankruhllibre/METADATA.pb index ae8bfb6f21..efba1d8d11 100644 --- a/ofl/frankruhllibre/METADATA.pb +++ b/ofl/frankruhllibre/METADATA.pb @@ -23,5 +23,5 @@ axes { } source { repository_url: "https://github.com/fontef/frankruhllibre" - commit: "82ba585b47584a119c266dd5ced550af883e8a0c" + commit: "2372d1998e51dc011f86554c0d23f1ccf44afddf" }