From: Nathan Williams
To contribute, see github.com/EkType/Anek
\ No newline at end of file +To contribute, see github.com/EkType/Anek
diff --git a/ofl/anekdevanagari/article/ARTICLE.en_us.html b/ofl/anekdevanagari/article/ARTICLE.en_us.html index 35660c4e3d..76d4b992d6 100644 --- a/ofl/anekdevanagari/article/ARTICLE.en_us.html +++ b/ofl/anekdevanagari/article/ARTICLE.en_us.html @@ -1,23 +1,23 @@ -Anek, as the meaning of the word suggests, is an exercise in multiplicity â multiple scripts designed in multiple +
Anek, as the meaning of the word suggests, is an exercise in multiplicity â multiple scripts designed in multiple weights and widths by multiple designers. A well-informed, conscientious and refreshing interpretation of Indiaâs letter traditions, this family offers a versatile system that can meet the demands of a wide range of applications.
-Its expansive design space allows Anek to don multiple personalities. At its most condensed, capsular forms keep +
Its expansive design space allows Anek to don multiple personalities. At its most condensed, capsular forms keep structures compact for that graphic texture. On the wide end of the spectrum, the extra legroom lets each letter yawn and stretch into their message. But it is in the boldest weights that Anek comes alive. Sharp terminals and tapered joineries sparkle amidst regimented forms, making this ideal for setting titillating headlines or that magnetic word-mark.
-Anek comes in ten scripts: Bangla, Devanagari, Kannada, Latin, Gujarati, Gurmukhi, +
Anek comes in ten scripts: Bangla, Devanagari, Kannada, Latin, Gujarati, Gurmukhi, Malayalam, Odia, Tamil and Telugu. The shared aesthetics of this type-family are drawn from a collaboratively decided pool of visual features. At the same time, each script amalgamates influences from its own typographic culture as well as the perspectives of individual designers.
-This project is designed, engineered and maintained by Ek Type; a collective of type designers based in Mumbai +
This project is designed, engineered and maintained by Ek Type; a collective of type designers based in Mumbai focused on designing contemporary Indian typefaces. Contributors of this project are: Maithili Shingre (Anek Malayalam, Anek Kannada), Yesha Goshar (Anek Latin, Anek Odia), Kailash Malviya (Anek Devanagari), Aadarsh Rajan (Anek Tamil), Sulekha Rajkumar (Anek Bangla), Vaishnavi Murthy (Anek Kannada), Omkar Bhoir (Anek Telugu), Mrunmayee Ghaisas (Anek Gujarati), Mahesh Sahu (Anek Odia), and Sarang Kulkarni (Anek Gurmukhi). Project management and design assistance by Noopur Datye, and Font engineering and design assistance by Girish Dalvi.
-To contribute, see github.com/EkType/Anek
+To contribute, see github.com/EkType/Anek
+ Dynapuffâs loveable demeanor and hand-drawn charm makes it well suited for your, âzomgâsâ and âasdfajlskdfjalksdfjkjâsâ. + ððððð Dynapuff features OpenType code that alternates the vertical position of the letters to make those ânoooooooooo waaaaaaayâs appear hand-drawn + and less like a robot texting on a typewriter. + Give it a whirl in Googleâs keyboard (Gboard) + where you can transform text messages into typographic stickers. + Plain text âhahasâ are a thing of the past after youâve sent an âlolâ in Dynapuff. +
++ What Dynapuff might lack in subtlety, it makes up for it with its playful and flexible typographic energy. + Designed by Toshi Omagari, this casual typeface is optimized for legibility in small text environments like stickers or candy packaging. + It also manages to be large when displayed in childrenâs books to shop signage. +
+To contribute see github.com/googlefonts/dynapuff.
+