Specify regionality in Stop Stealing Sheep URLs

diff --git a/cc-by-sa/knowledge/modules/choosing_type/lessons/emotive_considerations_for_choosing_typefaces/content.md b/cc-by-sa/knowledge/modules/choosing_type/lessons/emotive_considerations_for_choosing_typefaces/content.md
index dd7a11fe08f9bba2dcd905ac7a9389c99b38c19a..deb7306f925f5eaf22ceda6480cbaab99a25f20f 100644 (file)
--- a/cc-by-sa/knowledge/modules/choosing_type/lessons/emotive_considerations_for_choosing_typefaces/content.md
+++ b/cc-by-sa/knowledge/modules/choosing_type/lessons/emotive_considerations_for_choosing_typefaces/content.md
@@ -11,7 +11,7 @@ So, for this article, we’ll explore the emotive considerations that come into
 
 But first: A warning! Selecting a typeface based on the emotional reactions it stirs in us and our readers is perfectly valid, but it’s important to not base our decisions on them alone. By all means, use emotive considerations as a way of making an initial selection, but be sure to quickly analyze for technical suitability, too—there’s no point in choosing something that feels perfect if it [only has one weight, or lacks character support for a language we need to cover](/lesson/choosing_reliable_typefaces).
 
-In his book, “Stop Stealing Sheep and Find Out How Type Works” (which is now available as a [complete PDF download](https://static.googleusercontent.com/media/fonts.google.com/en//knowledge/stop_stealing_sheep.pdf) from Google Fonts), Erik Spiekermann shows a few examples of type set in appropriate typefaces that invoke either trust or distrust from the reader:
+In his book, “Stop Stealing Sheep and Find Out How Type Works” (which is now available as a [complete PDF download](https://static.googleusercontent.com/media/fonts.google.com/en/us/knowledge/stop_stealing_sheep.pdf) from Google Fonts), Erik Spiekermann shows a few examples of type set in appropriate typefaces that invoke either trust or distrust from the reader:
 
 <figure>
 

diff --git a/cc-by-sa/knowledge/modules/choosing_type/lessons/pairing_typefaces/content.md b/cc-by-sa/knowledge/modules/choosing_type/lessons/pairing_typefaces/content.md
index 4f2ae0fb1ace67d579bc8fcd71e6213d98e1d157..0069ee348b848254b2a1a79d22c9967a57fb1990 100644 (file)
--- a/cc-by-sa/knowledge/modules/choosing_type/lessons/pairing_typefaces/content.md
+++ b/cc-by-sa/knowledge/modules/choosing_type/lessons/pairing_typefaces/content.md
@@ -79,5 +79,5 @@ While pairing typefaces usually refers to the combination of two, the same logic
 
 - [*On Web Typography* by Jason Santa Maria](https://abookapart.com/products/on-web-typography)
 - [*Upping Your Type Game* by Jessica Hische](https://www.jessicahische.is/talkingtype)
-- [*Stop stealing sheep and find out how type works* by Erik Spiekermann](https://static.googleusercontent.com/media/fonts.google.com/en//knowledge/stop_stealing_sheep.pdf) (complete PDF)
+- [*Stop stealing sheep and find out how type works* by Erik Spiekermann](https://static.googleusercontent.com/media/fonts.google.com/en/us/knowledge/stop_stealing_sheep.pdf) (complete PDF)
 - [*Combining Typefaces* by Tim Brown](https://blog.typekit.com/2016/04/29/combining-typefaces-free-guide-to-great-typography/)