Renaming to “Stress” + copy edits to match

diff --git a/cc-by-sa/knowledge/glossary/terms/axis_in_type_design/content.md b/cc-by-sa/knowledge/glossary/terms/axis_in_type_design/content.md
deleted file mode 100644 (file)
index 85f3b64..0000000
--- a/cc-by-sa/knowledge/glossary/terms/axis_in_type_design/content.md
+++ /dev/null
@@ -1,10 +0,0 @@
-
-In [type design](/glossary/type_designer), the axis usually refers to the direction of the [stroke](/glossary/stroke) in a [letterform](/glossary/letterform), often taking inspiration from (or making direct reference to) how letterforms might appear if drawn with a [pen](/glossary/handwriting). Letterforms with slanted axes are informed by writing with a broad-nibbed pen (translation), while letterforms with vertical axes are informed by writing with a pointed pen (expansion). This is the basis of [Gerrit Noordzij’s theory and eponymous cube](https://typemedia.org/noordzij/).
-
-<figure>
-
-![A lowercase o from three different typefaces, with the axis line overlaid. The line’s angle is slightly different in each example.](images/thumbnail.svg)
-
-</figure>
-
-It’s possible to infer the axis (or axes) in a [typeface](/glossary/typeface)’s design by the contrast of the thick and thin parts of a stroke; therefore, [low-contrast](/glossary/contrast) typefaces (i.e., most [sans serifs](/glossary/sans_serif)) don’t necessarily have a visible axis.

diff --git a/cc-by-sa/knowledge/glossary/terms/stress/content.md b/cc-by-sa/knowledge/glossary/terms/stress/content.md
new file mode 100644 (file)
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+
+In [type design](/glossary/type_designer), stress refers to the direction of the [stroke](/glossary/stroke) in a [letterform](/glossary/letterform), often taking inspiration from (or making direct reference to) how letterforms might appear if drawn with a [pen](/glossary/handwriting). It can also be called the “axis”, although that can be confused with [axes in variable fonts](/glossary/axis_in_variable_fonts). Letterforms with a slanted stress are informed by writing with a broad-nibbed pen (translation), while letterforms with a vertical stress are informed by writing with a pointed pen (expansion). This is the basis of [Gerrit Noordzij’s theory and eponymous cube](https://typemedia.org/noordzij/).
+
+<figure>
+
+![A lowercase o from three different typefaces, with the stress overlaid. The line’s angle is slightly different in each example.](images/thumbnail.svg)
+
+</figure>
+
+It’s possible to infer the stress (or stresses) in a [typeface](/glossary/typeface)’s design by the contrast of the thick and thin parts of a stroke; therefore, [low-contrast](/glossary/contrast) typefaces (i.e., most [sans serifs](/glossary/sans_serif)) don’t necessarily have a visible stress.

diff --git a/cc-by-sa/knowledge/glossary/terms/axis_in_type_design/images/thumbnail.svg b/cc-by-sa/knowledge/glossary/terms/stress/images/thumbnail.svg
similarity index 100%
rename from cc-by-sa/knowledge/glossary/terms/axis_in_type_design/images/thumbnail.svg
rename to cc-by-sa/knowledge/glossary/terms/stress/images/thumbnail.svg

diff --git a/cc-by-sa/knowledge/glossary/terms/axis_in_type_design/term.textproto b/cc-by-sa/knowledge/glossary/terms/stress/term.textproto
similarity index 77%
rename from cc-by-sa/knowledge/glossary/terms/axis_in_type_design/term.textproto
rename to cc-by-sa/knowledge/glossary/terms/stress/term.textproto
index 0e48ebba30bc413b159974492c2aa69c2bea7411..ab17413681f041779c47c7e656488c73827b0989 100644 (file)
--- a/cc-by-sa/knowledge/glossary/terms/axis_in_type_design/term.textproto
+++ b/cc-by-sa/knowledge/glossary/terms/stress/term.textproto
@@ -1,3 +1,4 @@
-name: "Axis (in type design)"
+alt_ids: "axis_in_type_design"
+name: "Stress"
 excerpt: "The angle of the “pen” in a letterform, usually implied by the contrast of a stroke."
 related_lessons: "making_sense_of_typographic_classifications"