Fixing “legibility” and “readability” URLs in Darrell’s article

diff --git a/cc-by-sa/knowledge/modules/hangeul/lessons/making_the_details_matter/content.md b/cc-by-sa/knowledge/modules/hangeul/lessons/making_the_details_matter/content.md
index 5890be6ff5ea3b91e310826606e7543f252b7c7d..5e5246ffc773397e62f4e2c08d5a0bc590437162 100644 (file)
--- a/cc-by-sa/knowledge/modules/hangeul/lessons/making_the_details_matter/content.md
+++ b/cc-by-sa/knowledge/modules/hangeul/lessons/making_the_details_matter/content.md
@@ -10,7 +10,7 @@ Being an alphabet designer is similar in some respects to being a [type designer
 
 But there's an important distinction.
 
-While type specialists can manipulate letter details and employ stylistic variations to achieve various effects, including improving [legibility and readability](/glossary/legibility_readability) or evoking [emotive responses](https://fonts.google.com/knowledge/choosing_type/emotive_considerations_for_choosing_typefaces), they still need to preserve the basic forms of individual letters; by comparison, an alphabet designer must, ideally, decide how all the small details to should be combined to *create* a set of usable letters.
+While type specialists can manipulate letter details and employ stylistic variations to achieve various effects, including improving [legibility](/glossary/legibility) and [readability](/glossary/readability) or evoking [emotive responses](https://fonts.google.com/knowledge/choosing_type/emotive_considerations_for_choosing_typefaces), they still need to preserve the basic forms of individual letters; by comparison, an alphabet designer must, ideally, decide how all the small details to should be combined to *create* a set of usable letters.
 
 In the case of King Sejong specifically, the challenge at hand was in how to make these details matter.