-<p>When making digital typefaces, the more you refine the shapes of the letters, the more energy you take away from them. Because of that, Kaushan Script is unrefined - and carries a lot of energy.</p> <p>By avoiding typographical perfection, it stays more natural. The angles of the vertical strokes vary a little, and the positioning along the baseline jumps around, giving it a more rustic and natural feeling.</p> <p>Most script fonts have long ascenders and descenders, and this means they look too small when used at normal sizes on the web. This font is optimized in such details to be very readable as a web font, even when used as small as 16 pixels.</p> <p>It was funded by people like you, <a href="http://www.kickstarter.com/projects/impallari/fast-brush-script">via Kickstarter.</a> Special thanks to the project backers! They are all listed on <a href="http://www.impallari.com/Kaushan">the font's website.</a> The name "Kaushan" was suggested by Vyacheslav Kaushan, one of the project backers.</p> <p>TTF hinting was done using TTF-Autohint v0.5 by Werner Lemberg. Please support his efforts at <a href="http://www.freetype.org/ttfautohint">www.freetype.org/ttfautohint</a></p> <p>Documentation can be found at <a href="http://www.impallari.com/fastbrush">www.impallari.com/fastbrush</a></p> <p>To contribute to the project contact Pablo Impallari at <a href="mailto:impallari@gmail.com">impallari@gmail.com</a></p>
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+<p>
+When making digital typefaces, the more you refine the shapes of the letters, the more energy you take away from them.
+Because of that, Kaushan Script is unrefined - and carries a lot of energy.
+</p>
+<p>
+By avoiding typographical perfection, it stays more natural.
+The angles of the vertical strokes vary a little, and the positioning along the baseline jumps around, giving it a more rustic and natural feeling.
+</p>
+<p>
+Most script fonts have long ascenders and descenders, and this means they look too small when used at normal sizes on the web.
+This font is optimized in such details to be very readable as a web font, even when used as small as 16 px.
+</p>
+<p>
+It was funded by people like you, via <a href="http://www.kickstarter.com/projects/impallari/fast-brush-script">Kickstarter.</a>
+Special thanks to the project backers!
+The name "Kaushan" was suggested by Vyacheslav Kaushan, one of the project backers.
+</p>
-<p>Inspired by the hand painted signs in supermarkets, and the roman structures
-of the classical alphabets. Poetsen is a display font, but it's not just
-intended to be used on big 'straight to the eye' titles. Since it has a large
-x height, it can be used on short paragraphs in relatively small bodies of
-text too.</p>
-
-<p>Join the project at:
-<a href="http://www.impallari.com/projects/overview/poetsen">impallari.com/projects/overview/poetsen</a>.</p>
\ No newline at end of file
+<p>
+Inspired by the hand painted signs in supermarkets, and the roman structures of the classical alphabets.
+Poetsen is a display font, but it's not just intended to be used on big 'straight to the eye' titles.
+Since it has a large x-height, it can be used on short paragraphs in relatively small bodies of text too.
+</p>
-<p>The Quattrocento Roman typeface is a Classic, Elegant, Sober and Strong typeface.</p> <p>Their wide and open letterforms, and the great x-height, make it very legible for body text at small sizes. And their tiny details that only shows up at bigger sizes make it also great for display use.</p> <p>Some of their distinctive characteristics are:</p> <ul> <li>Low Contrast. The thins are just a tad thiner than the thicks, almost monotone.</li> <li>Cupped, tapered stems that flows naturally into the serifs.</li> <li>Distinctive K, R and & tail.</li> <li>Cupped B, D, E, F, P, Q, R and T.</li> <li>The Q is a humble expression of admiration and gratitude for Doyald Young.</li> <li>Alternate M, Two W alternates .</li> <li>Narrow L, T for better fit.</li> <li>Almost flat top serif on the lowercases.</li> <li>Shoulders of the m and n rise above the serif.</li> <li>Serif-less bottom j and y.</li> </ul>
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+<p>
+Classic, elegant, sober and strong, the Quattrocento typeface has wide and open letterforms.
+The generous x-height makes it very legible for body text at small sizes, while the tiny details can only be seen at larger sizes mean it is also a great choice for display typography.
+</p>
+<p>
+Some of their distinctive characteristics are:
+</p>
+<ul>
+<li>
+Low Contrast.
+The thins are just a tad thiner than the thicks, almost monotone.
+</li>
+<li>
+Cupped, tapered stems that flows naturally into the serifs.
+</li>
+<li>
+Distinctive K, R and & tail.
+</li>
+<li>
+Cupped B, D, E, F, P, Q, R and T.
+</li>
+<li>
+The Q is a humble expression of admiration and gratitude for Doyald Young.
+</li>
+<li>
+Alternate M, Two W alternates.
+</li>
+<li>
+Narrow L, T for better fit.
+</li>
+<li>
+Almost flat top serif on the lowercases.
+</li>
+<li>
+Shoulders of the m and n rise above the serif.
+</li>
+<li>
+Serif-less bottom j and y.</li>
+</ul>
+<p>
+It's the perfect sans-serif companion for <a href="https://fonts.google.com/specimen/Quattrocento+Sans">Quattrocento Sans</a>.
+</p>
-<p>Quattrocento Sans is a classic, elegant and sober typeface family. Warm, readable and not intrusive. It's the perfect sans-serif companion for Quattrocento.</p> <p>The wide and open letterforms and large x-height make it very legible for body text at small sizes. All the tiny details that only shows up at bigger sizes make it also great for display use.</p> <p>Join the project at <a href="http://www.impallari.com/projects/overview/quattrocento-sans-family">www.impallari.com/projects</a></p>
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+<p>
+Quattrocento Sans is a classic, elegant and sober typeface family.
+Warm, readable and not intrusive.
+It's the perfect sans-serif companion for <a href="https://fonts.google.com/specimen/Quattrocento">Quattrocento</a>.
+</p>
+<p>
+The wide and open letterforms and large x-height make it very legible for body text at small sizes.
+All the tiny details that only shows up at bigger sizes make it also great for display use.
+</p>
It also has a sister family, <a href="http://www.google.com/fonts/specimen/Raleway+Dots">Raleway Dots</a>.
</p>
<p>
-More information can be found at <a href="http://www.theleagueofmoveabletype.com">theleagueofmoveabletype.com</a> and <a href="http://www.impallari.com">impallari.com</a>
+More information can be found at <a href="https://www.theleagueofmoveabletype.com/raleway">theleagueofmoveabletype.com/raleway</a> and <a href="https://impallari.com/fonts/raleway/">impallari.com/fonts/raleway</a>
</p>
<p>
-To contribute to the project, visit <a href="https://github.com/impallari/Raleway/">github.com/impallari/Raleway</a>
-</p>
-<p>
-<b>Updated:</b> Feburary 2016, thoroughly updated the design with new spacing and kerning, raised f bar, added italics, new family naming metadata, and hinted with ttfautohint.
+To contribute to the project, visit <a href="https://github.com/impallari/Raleway">github.com/impallari/Raleway</a>
</p>
-<p>A dotted version of Raleway, for posters and big headlines.</p>
-
-<p>It is a display face and the download features both old style and lining
-numerals, standard and discretionary ligatures, a pretty complete set of
-diacritics, as well as a stylistic alternate inspired by more geometric
-sans-serif typefaces than its neo-grotesque inspired default character
-set.</p>
-
-<p>To contribute to the project visit <a
-href="http://www.impallari.com/projects">impallari.com/projects</a>.</p>
\ No newline at end of file
+<p>
+A dotted version of <a href="https://fonts.google.com/specimen/Raleway">Raleway</a>, for posters and big headlines.
+</p>
+<p>
+It is a display face and the downloadable font features both old-style and lining numerals, standard and discretionary ligatures, as well as stylistic alternates that are inspired by more geometric sans-serif typefaces than the default which is neo-grotesque.
+</p>
+<p>
+To contribute to the project, visit <a href="https://github.com/impallari/Raleway">github.com/impallari/Raleway</a>
+</p>
projects / thirdparty / google / fonts.git / commitdiff
