From: Sarah Daily <52079926+repeatdailystudio@users.noreply.github.com>
Date: Tue, 29 Nov 2022 14:18:27 +0000 (-0500)
Subject: Update content.md
X-Git-Url: http://git.ipfire.org/gitweb/gitweb.cgi?a=commitdiff_plain;h=refs%2Fpull%2F5643%2Fhead;p=thirdparty%2Fgoogle%2Ffonts.git
Update content.md
---
diff --git a/cc-by-sa/knowledge/modules/type_in_china_japan_and_korea/lessons/type_classification_in_cjk_japanese/content.md b/cc-by-sa/knowledge/modules/type_in_china_japan_and_korea/lessons/type_classification_in_cjk_japanese/content.md
index 4fb36fa143..c5f7ee02d6 100644
--- a/cc-by-sa/knowledge/modules/type_in_china_japan_and_korea/lessons/type_classification_in_cjk_japanese/content.md
+++ b/cc-by-sa/knowledge/modules/type_in_china_japan_and_korea/lessons/type_classification_in_cjk_japanese/content.md
@@ -1,22 +1,22 @@
-The term âmodern serifâ in Latin type refers to a classification called _didone,_ such as Bodoni and Didot. However, in Japanese typography, the definition of a modern serif is a little different. Letâs first look at an old-style serif:
+The term âmodern serifâ in Latin type refers to a classification called didone, such as Bodoni and Didot. However, in Japanese typography, the definition of a modern serif is a little different. Letâs first look at an old-style serif:
-
+
-The very first Japanese metal type was designed as an old-style serif, because the use of a traditional east Asian brush for writing was common at the time, and the letterforms were easy to apply to serif designs.
+The very first Japanese metal type was designed as an old-style serif because the use of a traditional east-Asian brush for writing was common at the time, and the letterforms were easy to apply to serif designs.
-The characteristics of a traditional Japanese old-style serif has a lot in common with an old-style serif in Latin: Small, delicate counters and letter size, elegantly lingering brush strokesâbut not so much that it becomes more script design than serifâand organic, natural curves.
+The characteristics of a traditional Japanese old-style serif has a lot in common with an old-style serif in Latin: small, delicate counters and letter size; elegantly lingering brush strokesâbut not so much that it becomes more script design than serifâand organic, natural curves.
-
+
-Modern serif classification in Japanese typography is on the opposite side from the old-style serif. It has relatively large and dynamic counter size, simpler strokes, clean elements, and sometimes low contrast between vertical and horizontal strokes. For example, [Noto Serif JP](https://fonts.google.com/noto/specimen/Noto+Serif+JP), while it respects the traditional letterform, is designed with low contrast and distinctive elements, employing wider counters to improve readability on screen.
+Modern serif classification in Japanese typography is on the opposite end of the spectrum from the old-style serif. It has relatively large and dynamic counter size, simpler strokes, clean elements, and sometimes low contrast between vertical and horizontal strokes. For example, [Noto Serif JP](https://fonts.google.com/noto/specimen/Noto+Serif+JP), while it respects the traditional letterform, it's designed with low contrast and distinctive elements, employing wider counters to improve readability on screen.
@@ -24,17 +24,17 @@ Modern serif classification in Japanese typography is on the opposite side from
-The definition of old-style and modern for sans serif goes the same as serif, but for the modern style, there are two kinds of interpretation: Humanist modern san serifâpopular for Latinâand a more systematic and geometric sans serif. Letâs see the difference.
+The definition of old-style and modern for sans serif is the same as serif, but for the modern style, there are two kinds of interpretation: Humanist Modern san serifâpopular for Latinâand a more systematic and geometric sans serif. Letâs see the difference.
-
+
-
+