From 851edf348abec5d6b16e10639f5c67b5f6d25870 Mon Sep 17 00:00:00 2001 From: =?utf8?q?Felipe=20Corr=C3=AAa=20da=20Silva=20Sanches?= Date: Sat, 23 Sep 2023 06:17:24 +0100 Subject: [PATCH] Fix text content of anchors on DESCRIPTION files Fix text content of anchors according to the policy described at https://github.com/fonttools/fontbakery/issues/3497#issue-1043902311 and enforced by FontBakery's check com.google.fonts/check/description/urls (https://github.com/fonttools/fontbakery/pull/3499) --- ofl/adlamdisplay/DESCRIPTION.en_us.html | 4 ++-- ofl/asapvfbeta/DESCRIPTION.en_us.html | 2 +- ofl/balsamiqsans/DESCRIPTION.en_us.html | 2 +- ofl/bebasneue/DESCRIPTION.en_us.html | 7 ++----- ofl/besley/DESCRIPTION.en_us.html | 2 +- ofl/dongle/DESCRIPTION.en_us.html | 2 +- ofl/dosis/DESCRIPTION.en_us.html | 2 +- ofl/firacode/DESCRIPTION.en_us.html | 2 +- ofl/geologica/DESCRIPTION.en_us.html | 2 +- ofl/goldman/DESCRIPTION.en_us.html | 2 +- ofl/gowundodum/DESCRIPTION.en_us.html | 2 +- ofl/hahmlet/DESCRIPTION.en_us.html | 2 +- ofl/kaiseidecol/DESCRIPTION.en_us.html | 2 +- ofl/kaiseiharunoumi/DESCRIPTION.en_us.html | 2 +- ofl/kaiseiopti/DESCRIPTION.en_us.html | 2 +- ofl/kaiseitokumin/DESCRIPTION.en_us.html | 2 +- ofl/kumbhsans/DESCRIPTION.en_us.html | 2 +- ofl/mochiypopone/DESCRIPTION.en_us.html | 2 +- ofl/mochiypoppone/DESCRIPTION.en_us.html | 2 +- ofl/mplus1/DESCRIPTION.en_us.html | 2 +- ofl/mplus1code/DESCRIPTION.en_us.html | 2 +- ofl/mplus2/DESCRIPTION.en_us.html | 2 +- ofl/mpluscodelatin/DESCRIPTION.en_us.html | 2 +- ofl/orbitron/DESCRIPTION.en_us.html | 2 +- ofl/overpass/DESCRIPTION.en_us.html | 2 +- ofl/overpassmono/DESCRIPTION.en_us.html | 2 +- ofl/padauk/DESCRIPTION.en_us.html | 2 +- ofl/palettemosaic/DESCRIPTION.en_us.html | 2 +- ofl/paytoneone/DESCRIPTION.en_us.html | 2 +- ofl/podkovavfbeta/DESCRIPTION.en_us.html | 2 +- ofl/redrose/DESCRIPTION.en_us.html | 2 +- ofl/rowdies/DESCRIPTION.en_us.html | 2 +- ofl/shipporiantique/DESCRIPTION.en_us.html | 2 +- ofl/shipporiantiqueb1/DESCRIPTION.en_us.html | 2 +- ofl/shipporimincho/DESCRIPTION.en_us.html | 2 +- ofl/shipporiminchob1/DESCRIPTION.en_us.html | 2 +- ofl/varta/DESCRIPTION.en_us.html | 2 +- ofl/xanhmono/DESCRIPTION.en_us.html | 2 +- ofl/zenmarugothic/DESCRIPTION.en_us.html | 4 ++-- 39 files changed, 42 insertions(+), 45 deletions(-) diff --git a/ofl/adlamdisplay/DESCRIPTION.en_us.html b/ofl/adlamdisplay/DESCRIPTION.en_us.html index 01b43d9d53..9f157e93f4 100644 --- a/ofl/adlamdisplay/DESCRIPTION.en_us.html +++ b/ofl/adlamdisplay/DESCRIPTION.en_us.html @@ -3,5 +3,5 @@

To contribute, please visit https://github.com/microsoft/ADLaM-Display. -

\ No newline at end of file + href="https://github.com/microsoft/ADLaM-Display">github.com/microsoft/ADLaM-Display. +

diff --git a/ofl/asapvfbeta/DESCRIPTION.en_us.html b/ofl/asapvfbeta/DESCRIPTION.en_us.html index 750117753e..09b5cb2567 100644 --- a/ofl/asapvfbeta/DESCRIPTION.en_us.html +++ b/ofl/asapvfbeta/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ A Sans Serif variable font, by Pablo Cosgaya.

-To learn more about this project, visit https://github.com/Omnibus-Type/Asap. +To learn more about this project, visit github.com/Omnibus-Type/Asap.

diff --git a/ofl/balsamiqsans/DESCRIPTION.en_us.html b/ofl/balsamiqsans/DESCRIPTION.en_us.html index 0974f2704e..f47809c46e 100644 --- a/ofl/balsamiqsans/DESCRIPTION.en_us.html +++ b/ofl/balsamiqsans/DESCRIPTION.en_us.html @@ -1,4 +1,4 @@

Balsamiq Sans is the handwritten font created for the Balsamiq Wireframes and has been in use since version 2.1.

The font contains 942 glyphs in 2 weights with italics/obliques, and includes the basic and extended latin character set, Cyrillic, Basic Symbols and Dingbats, Math and Technical Symbols, and punctuation

-

To contribute, see https://github.com/balsamiq/balsamiqsans

+

To contribute, see github.com/balsamiq/balsamiqsans

diff --git a/ofl/bebasneue/DESCRIPTION.en_us.html b/ofl/bebasneue/DESCRIPTION.en_us.html index 48c9863fba..28fa6daf51 100644 --- a/ofl/bebasneue/DESCRIPTION.en_us.html +++ b/ofl/bebasneue/DESCRIPTION.en_us.html @@ -1,9 +1,6 @@

-Bebas Neue is a display family suitable for headlines, captions, and packaging, designed by Ryoichi Tsunekawa. It's based on the original Bebas typeface. The family is suitable for pro users due to its extended character set and OpenType features. +Bebas Neue is a display family suitable for headlines, captions, and packaging, designed by Ryoichi Tsunekawa. It's based on the original Bebas typeface. The family is suitable for pro users due to its extended character set and OpenType features.

-To contribute, see https://github.com/dharmatype/Bebas-Neue. -

-

-http://bebasneue.com +To contribute, see github.com/dharmatype/Bebas-Neue.

diff --git a/ofl/besley/DESCRIPTION.en_us.html b/ofl/besley/DESCRIPTION.en_us.html index 1d99172468..81bab35887 100644 --- a/ofl/besley/DESCRIPTION.en_us.html +++ b/ofl/besley/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ Besley is a antique slab serif inspired by Robert Besley's Clarendon. It features a full range of weights and matching italics, making it subtle for a variety of uses. A slight rounding of the corners gives a subtle warmth, and OpenType features such as ligatures and contextual substitutions perfect the finer details. It was made with love and will continue to improve with your support.

-The Besley project is designed by Owen Earl (indestructible type*). To contribute, see https://github.com/indestructible-type/Besley +The Besley project is designed by Owen Earl (indestructible type*). To contribute, see github.com/indestructible-type/Besley

diff --git a/ofl/dongle/DESCRIPTION.en_us.html b/ofl/dongle/DESCRIPTION.en_us.html index d51ce52abe..19d66529eb 100644 --- a/ofl/dongle/DESCRIPTION.en_us.html +++ b/ofl/dongle/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ Dongle(동글) is a rounded sans-serif typeface for display. It is a modular Hangeul with the de-square frame, creating a playful and rhythmic movement. The name, Dongle(동글) comes from a Korean onomatopoeia, meaning 'rounded or curved shape(with adorable impression)’.

-To contribute to the project, visit https://github.com/yangheeryu/Dongle +To contribute to the project, visit github.com/yangheeryu/Dongle

diff --git a/ofl/dosis/DESCRIPTION.en_us.html b/ofl/dosis/DESCRIPTION.en_us.html index 3c11209859..43f739977b 100644 --- a/ofl/dosis/DESCRIPTION.en_us.html +++ b/ofl/dosis/DESCRIPTION.en_us.html @@ -1,3 +1,3 @@

Dosis is a rounded sans-serif type family. It started with the Extra Light style, useful only at size 36pt or upm and the Extended Latin character set included many alternative characters, all designed by Edgar Tolentino and Pablo Impallari.

Dosis was expanded into a complete set of weights in September 2011.

-

Dosis was remastered as a variable font in 2019. To contribute updates or file issues, see https://github.com/eliheuer/dosis-vf.

+

Dosis was remastered as a variable font in 2019. To contribute updates or file issues, see github.com/eliheuer/dosis-vf.

diff --git a/ofl/firacode/DESCRIPTION.en_us.html b/ofl/firacode/DESCRIPTION.en_us.html index c53d8b7e0d..d469a01c14 100644 --- a/ofl/firacode/DESCRIPTION.en_us.html +++ b/ofl/firacode/DESCRIPTION.en_us.html @@ -11,5 +11,5 @@ to correct spacing.

-To contribute, see https://github.com/tonsky/FiraCode. +To contribute, see github.com/tonsky/FiraCode.

diff --git a/ofl/geologica/DESCRIPTION.en_us.html b/ofl/geologica/DESCRIPTION.en_us.html index 909a5cfa8e..29ddc10f5f 100644 --- a/ofl/geologica/DESCRIPTION.en_us.html +++ b/ofl/geologica/DESCRIPTION.en_us.html @@ -8,5 +8,5 @@
  • Slant (slnt)
    • -

    To contribute, please see https://github.com/googlefonts/geologica.

    +

    To contribute, please see github.com/googlefonts/geologica.

    diff --git a/ofl/goldman/DESCRIPTION.en_us.html b/ofl/goldman/DESCRIPTION.en_us.html index bdad764de8..1b9129e6c4 100644 --- a/ofl/goldman/DESCRIPTION.en_us.html +++ b/ofl/goldman/DESCRIPTION.en_us.html @@ -1,4 +1,4 @@

    Goldman is a Latin display typeface designed by Jaikishan Patel. It was exclusively designed for posters of Genre: Passion, Science Fiction, Sports, Drama, Thriller genres.

    The Goldman font family includes two weights. Regular, designed for the large headers or titles, and Bold, designed for heavyweight title designs.

    Each font includes 640 glyphs that covers Western, Central and South Latin as well as Vietnamese.

    -

    To contribute, see https://github.com/magictype/goldman

    +

    To contribute, see github.com/magictype/goldman

    diff --git a/ofl/gowundodum/DESCRIPTION.en_us.html b/ofl/gowundodum/DESCRIPTION.en_us.html index 0aea94bbd3..040a9a3861 100644 --- a/ofl/gowundodum/DESCRIPTION.en_us.html +++ b/ofl/gowundodum/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ Gowun Dodum(고운돋움) is a humanist sans-serif typeface with a touch of hand movement. Gowun means ‘neat and delicate’ in Korean and this typeface has a warm and friendly impression. Dodum is the style name for sans-serif Hangeul text typeface.

    -To contribute to the project, visit https://github.com/yangheeryu/Gowun-Dodum +To contribute to the project, visit github.com/yangheeryu/Gowun-Dodum

    diff --git a/ofl/hahmlet/DESCRIPTION.en_us.html b/ofl/hahmlet/DESCRIPTION.en_us.html index cc2d62d87d..44e0f39de4 100644 --- a/ofl/hahmlet/DESCRIPTION.en_us.html +++ b/ofl/hahmlet/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ Hahmlet is inspired by a poster for the Korean ‘Hamlet’ movie from the 1940’s, created by an unknown letterer. The distinct and sharp, quirky and attention seeking details inspired Minjoo Ham to use it for a rather uncommon revival project and turn it into a robust, contemporary typeface. Once the Hangeul was finished, Mark Frömberg took on the challenge to translate the characteristics to the Latin design. A lively exploration into the possible and impossible began. Hahmlet is great for any kind of typesetting, print or screen but also a perfect eyecatcher for signage and poster designs. We highly recommend to use it for Hangeul and Latin bilingual typography.

    -To contribute to the project, visit https://github.com/hyper-type/hahmlet/ +To contribute to the project, visit github.com/hyper-type/hahmlet/

    diff --git a/ofl/kaiseidecol/DESCRIPTION.en_us.html b/ofl/kaiseidecol/DESCRIPTION.en_us.html index 9b8cc806d7..d604788a12 100644 --- a/ofl/kaiseidecol/DESCRIPTION.en_us.html +++ b/ofl/kaiseidecol/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ Kaisei Decol is designed with the same element in Kanji, the little dot at the end of the stroke. When typesetted, because of this dot elements, it makes less stimulus to eyes and also gives a cute and fun impression. Best suited for a short sentence, preferably title. Good to use together with Kaisei Opti.

    -To contribute to the project, visit https://github.com/FontKai-Kaisei/Kaisei +To contribute to the project, visit github.com/FontKai-Kaisei/Kaisei

    diff --git a/ofl/kaiseiharunoumi/DESCRIPTION.en_us.html b/ofl/kaiseiharunoumi/DESCRIPTION.en_us.html index 62c1a5f1b5..082b261204 100644 --- a/ofl/kaiseiharunoumi/DESCRIPTION.en_us.html +++ b/ofl/kaiseiharunoumi/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ Kaisei Haru No Umi's Kana is an organic wavy design that gives natural and friendly look. Katakana is designed slightly smaller to give more old-style typesetting impression. Better when set in text size.

    -To contribute to the project, visit https://github.com/FontKai-Kaisei/Kaisei +To contribute to the project, visit github.com/FontKai-Kaisei/Kaisei

    diff --git a/ofl/kaiseiopti/DESCRIPTION.en_us.html b/ofl/kaiseiopti/DESCRIPTION.en_us.html index fac4b6f9c9..54cd664695 100644 --- a/ofl/kaiseiopti/DESCRIPTION.en_us.html +++ b/ofl/kaiseiopti/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ Kaisei Opti is a modern style Japanese typeface. When typesetted, it gives a cheerful and breezy impression.

    -To contribute to the project, visit https://github.com/FontKai-Kaisei/Kaisei +To contribute to the project, visit github.com/FontKai-Kaisei/Kaisei

    diff --git a/ofl/kaiseitokumin/DESCRIPTION.en_us.html b/ofl/kaiseitokumin/DESCRIPTION.en_us.html index 7eaa23c18b..77d2ce0235 100644 --- a/ofl/kaiseitokumin/DESCRIPTION.en_us.html +++ b/ofl/kaiseitokumin/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ Kaisei Tokumin is a shorten word for Tokudai Mincho Kana, meaning "Extra Bold Serif Kana," intended for the strong title usage. Extra bold typefaces sometimes become unbalanced when having heavier density in the glyph, and loses the breathe of words. Kaisei Tokumin is designed to keep the legibility and still have power as an extra bold typeface.

    -To contribute to the project, visit https://github.com/FontKai-Kaisei/Kaisei +To contribute to the project, visit github.com/FontKai-Kaisei/Kaisei

    diff --git a/ofl/kumbhsans/DESCRIPTION.en_us.html b/ofl/kumbhsans/DESCRIPTION.en_us.html index 70b3d92562..383c59ff03 100644 --- a/ofl/kumbhsans/DESCRIPTION.en_us.html +++ b/ofl/kumbhsans/DESCRIPTION.en_us.html @@ -2,4 +2,4 @@

    After initial release in three weights, the typeface has been converted into a variable font in June 2021 with a weight axis (100 to 900).

    -

    To contribute, see https://github.com/xconsau/KumbhSans

    +

    To contribute, see github.com/xconsau/KumbhSans

    diff --git a/ofl/mochiypopone/DESCRIPTION.en_us.html b/ofl/mochiypopone/DESCRIPTION.en_us.html index c0dc0ab716..bb2237be87 100644 --- a/ofl/mochiypopone/DESCRIPTION.en_us.html +++ b/ofl/mochiypopone/DESCRIPTION.en_us.html @@ -2,7 +2,7 @@ Mochiy Pop is a casual Gothic font created based on characters written by girls in their 20s in Japan. A cute display font, you can use it widely, such as for manga, magazines, movies, and signs. The included Kanji are modified versions of Noto Sans JP.

    -Mochiy Pop includes full-width kana. Mochiy Pop P (https://fonts.google.com/specimen/Mochiy+Pop+P) includes proportional-width kana. +Mochiy Pop includes full-width kana. Mochiy Pop P includes proportional-width kana.

    To contribute to the project, visit github.com/fontdasu/Mochiypop diff --git a/ofl/mochiypoppone/DESCRIPTION.en_us.html b/ofl/mochiypoppone/DESCRIPTION.en_us.html index f79483bcfc..4a9b90c614 100644 --- a/ofl/mochiypoppone/DESCRIPTION.en_us.html +++ b/ofl/mochiypoppone/DESCRIPTION.en_us.html @@ -2,7 +2,7 @@ Mochiy Pop is a casual Gothic font created based on characters written by girls in their 20s in Japan. A cute display font, you can use it widely, such as for manga, magazines, movies, and signs. The included Kanji are modified versions of Noto Sans JP.

    -Mochiy Pop P includes proportional-wdith kana. Mochiy Pop (https://fonts.google.com/specimen/Mochiy+Pop) includes full-width kana. +Mochiy Pop P includes proportional-wdith kana. Mochiy Pop includes full-width kana.

    To contribute to the project, visit github.com/fontdasu/Mochiypop diff --git a/ofl/mplus1/DESCRIPTION.en_us.html b/ofl/mplus1/DESCRIPTION.en_us.html index 6520ebb9d8..fd87b50b2d 100644 --- a/ofl/mplus1/DESCRIPTION.en_us.html +++ b/ofl/mplus1/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ M+ FONTS is a little nifty font family for everyday usage. Mplus 1 is a Sans Serif font with nine weights from Thin to Black, supporting 5,700+ Kanjis for Japanese with GF Latin Plus. With the harmony of comfortable curves and straight lines, this font gives modern and generous impression, suiting for any occasions including small texts to big titles.

    -To contribute to the project, visit https://github.com/coz-m/MPLUS_FONTS +To contribute to the project, visit github.com/coz-m/MPLUS_FONTS

    diff --git a/ofl/mplus1code/DESCRIPTION.en_us.html b/ofl/mplus1code/DESCRIPTION.en_us.html index a8fd62a49a..d2452bb13a 100644 --- a/ofl/mplus1code/DESCRIPTION.en_us.html +++ b/ofl/mplus1code/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ M+ FONTS is a little nifty font family for everyday usage. Mplus 1 Code is a Sans Serif font with seven weights from Thin to Bold, supporting 5,700+ Kanjis for Japanese with GF Latin Plus. Because this font is for programming usage, it has high readability even in small sizes, and letterforms are designed to avoid misreadings as much as possible. This font is a combination of Mplus 1 full-width Japanese with new half-width monospaced Latin alphabet and figures.

    -To contribute to the project, visit https://github.com/coz-m/MPLUS_FONTS +To contribute to the project, visit github.com/coz-m/MPLUS_FONTS

    diff --git a/ofl/mplus2/DESCRIPTION.en_us.html b/ofl/mplus2/DESCRIPTION.en_us.html index 6698c76edc..a040e78c22 100644 --- a/ofl/mplus2/DESCRIPTION.en_us.html +++ b/ofl/mplus2/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ M+ FONTS is a little nifty font family for everyday usage. Mplus 2 is a Sans Serif font with nine weights from Thin to Black, supporting 5,700+ Kanjis for Japanese with GF Latin Plus. With the somewhat classic letterforms, this font pursues new standard of classic modern.

    -To contribute to the project, visit https://github.com/coz-m/MPLUS_FONTS +To contribute to the project, visit github.com/coz-m/MPLUS_FONTS

    diff --git a/ofl/mpluscodelatin/DESCRIPTION.en_us.html b/ofl/mpluscodelatin/DESCRIPTION.en_us.html index 8ccd091df0..8187d28303 100644 --- a/ofl/mpluscodelatin/DESCRIPTION.en_us.html +++ b/ofl/mpluscodelatin/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ M+ FONTS is a little nifty font family for everyday usage. Mplus Code Latin is a Sans Serif font with seven weights from Thin to Bold, supporting GF Latin Plus. Because this font is for programming usage, it has high readability even in small sizes, and letterforms are designed to avoid misreadings as much as possible. There are two styles—Mplus Code Latin 50 and Mplus Code Latin 60, each having 50% and 60% character width.

    -To contribute to the project, visit https://github.com/coz-m/MPLUS_FONTS +To contribute to the project, visit github.com/coz-m/MPLUS_FONTS

    diff --git a/ofl/orbitron/DESCRIPTION.en_us.html b/ofl/orbitron/DESCRIPTION.en_us.html index b30a40305f..5e13e220ff 100644 --- a/ofl/orbitron/DESCRIPTION.en_us.html +++ b/ofl/orbitron/DESCRIPTION.en_us.html @@ -1,2 +1,2 @@

    Orbitron is a geometric sans-serif typeface intended for display purposes. It features four weights (light, medium, bold, and black), stylistic alternatives, small caps, and a ton of alternate glyphs. Orbitron was designed so that graphic designers in the future will have some alternative to typefaces like Eurostile or Bank Gothic. If you’ve ever seen a futuristic sci-fi movie, you may have noticed that all other fonts have been lost or destroyed in the apocalypse that led humans to flee earth. Only those very few geometric typefaces have survived to be used on spaceship exteriors, spacestation signage, monopolistic corporate branding, uniforms featuring aerodynamic shoulder pads, etc. Of course Orbitron could also be used on the posters for the movies portraying this inevitable future. It was initially published on the League of Movable Type.

    -

    Orbitron was remastered as a variable font in 2019. To contribute updates or file issues, see https://github.com/theleagueof/orbitron.

    +

    Orbitron was remastered as a variable font in 2019. To contribute updates or file issues, see github.com/theleagueof/orbitron.

    diff --git a/ofl/overpass/DESCRIPTION.en_us.html b/ofl/overpass/DESCRIPTION.en_us.html index 557520cdb5..ff78f75880 100644 --- a/ofl/overpass/DESCRIPTION.en_us.html +++ b/ofl/overpass/DESCRIPTION.en_us.html @@ -9,4 +9,4 @@
  • Special thanks: Aaron Bell for his diligence in preparing v4.0 for release and Michael Luton for his insight and support.
    • -

    To contribute to the project, please visit https://github.com/RedHatOfficial/Overpass

    +

    To contribute to the project, please visit github.com/RedHatOfficial/Overpass

    diff --git a/ofl/overpassmono/DESCRIPTION.en_us.html b/ofl/overpassmono/DESCRIPTION.en_us.html index 39563f0e9e..2cd6bfa8d8 100644 --- a/ofl/overpassmono/DESCRIPTION.en_us.html +++ b/ofl/overpassmono/DESCRIPTION.en_us.html @@ -9,4 +9,4 @@
  • Special thanks: Aaron Bell for his diligence in preparing v4.0 for release and Michael Luton for his insight and support.
    • -

    To contribute to the project, please visit https://github.com/RedHatOfficial/Overpass

    +

    To contribute to the project, please visit github.com/RedHatOfficial/Overpass

    diff --git a/ofl/padauk/DESCRIPTION.en_us.html b/ofl/padauk/DESCRIPTION.en_us.html index 5c252ba7ad..ff55e0d75f 100644 --- a/ofl/padauk/DESCRIPTION.en_us.html +++ b/ofl/padauk/DESCRIPTION.en_us.html @@ -13,5 +13,5 @@ The web font files served by Google Fonts include the OpenType tables, so the fo

    The last upgrade in July 2022, offers an major language support update.

    -The Padauk project is maintained at https://github.com/silnrsi/font-padauk. +The Padauk project is maintained at github.com/silnrsi/font-padauk.

    diff --git a/ofl/palettemosaic/DESCRIPTION.en_us.html b/ofl/palettemosaic/DESCRIPTION.en_us.html index 39db6c2a7c..0d5cc3d98b 100644 --- a/ofl/palettemosaic/DESCRIPTION.en_us.html +++ b/ofl/palettemosaic/DESCRIPTION.en_us.html @@ -5,7 +5,7 @@ Palette Mosaic is constructed from primitive shapes by handicapped artists in co This family is part of the Shibuya Font project, a collaboration of design major students and handicapped artist living in Shibuya city, officially approved by Shibuya city in Tokyo.

    -Shibuya font Official Site: http://www.shibuyafont.jp +Shibuya font Official Site: www.shibuyafont.jp

    To contribute to the project, visit github.com/shibuyafont/Palette-mosaic-font-mono diff --git a/ofl/paytoneone/DESCRIPTION.en_us.html b/ofl/paytoneone/DESCRIPTION.en_us.html index d17e2c229d..2343360620 100644 --- a/ofl/paytoneone/DESCRIPTION.en_us.html +++ b/ofl/paytoneone/DESCRIPTION.en_us.html @@ -1,4 +1,4 @@

    Paytone One is a sans-serif font designed for use as a display and headline font on modern websites.

    It has a casual appearance with round bowls and slanted stroke terminals that add visual interest.

    February 2023: The font has been updated to v1.002 and now includes GF Plus encoding, revised outlines, Vietnamese diacritics, improved spacing and kerning.

    -

    To contribute, visit the Paytone One repository on Github: https://github.com/googlefonts/paytoneFont.

    +

    To contribute, visit the Paytone One repository on Github: github.com/googlefonts/paytoneFont.

    diff --git a/ofl/podkovavfbeta/DESCRIPTION.en_us.html b/ofl/podkovavfbeta/DESCRIPTION.en_us.html index 663a15f9dc..c50aefa81f 100644 --- a/ofl/podkovavfbeta/DESCRIPTION.en_us.html +++ b/ofl/podkovavfbeta/DESCRIPTION.en_us.html @@ -2,5 +2,5 @@ A Serif variable font, by Ilya Yudin.

    -To learn more about this project, visit https://github.com/cyrealtype/Podkova. +To learn more about this project, visit github.com/cyrealtype/Podkova.

    diff --git a/ofl/redrose/DESCRIPTION.en_us.html b/ofl/redrose/DESCRIPTION.en_us.html index c561a7b5b1..535c28dd3c 100644 --- a/ofl/redrose/DESCRIPTION.en_us.html +++ b/ofl/redrose/DESCRIPTION.en_us.html @@ -1,3 +1,3 @@

    Red Rose Pro is a latin display typeface designed by Jaikishan Patel. It was exclusively designed for posters of Genre: Love, Romance, Drama, Thriller, Noir and Passion.

    The current version of the family includes 3 weights; Light, Regular and Bold. Each font includes 640 glyphs that covers Western, Central and South Latin as well as Vietnamese.

    -

    To contribute, see https://github.com/magictype/redrose

    +

    To contribute, see github.com/magictype/redrose

    diff --git a/ofl/rowdies/DESCRIPTION.en_us.html b/ofl/rowdies/DESCRIPTION.en_us.html index 5515b007f1..3eab6a9d08 100644 --- a/ofl/rowdies/DESCRIPTION.en_us.html +++ b/ofl/rowdies/DESCRIPTION.en_us.html @@ -1,4 +1,4 @@

    Rowdies is a Latin display typeface inspired by the rough & tough Indian action cinema. Roughness and oddness of each individual letter contribute collectively as a typeface to the fantasy of being bold, fearless and strong.

    Designed by Jaikishan Patel for action, drama, adventure, thriller, noir & crime genres of storytelling.

    The font family includes 600+ glyphs in 3 weights; Light, Regular, and Bold.

    -

    To contribute, see https://github.com/magictype/rowdies

    +

    To contribute, see github.com/magictype/rowdies

    diff --git a/ofl/shipporiantique/DESCRIPTION.en_us.html b/ofl/shipporiantique/DESCRIPTION.en_us.html index e60b450c50..08c61840bf 100644 --- a/ofl/shipporiantique/DESCRIPTION.en_us.html +++ b/ofl/shipporiantique/DESCRIPTION.en_us.html @@ -2,7 +2,7 @@ Shippori Antique follows long-established standards for dialogue in manga and was created to provide people who draw manga in Japan a beautiful antique font for free. The Kana follow an antique, Ming Dynasty style design based on Shippori Mincho with thick lines. The Latin was designed in an old sans-serif style. Finally, the Kanji was created by modifying the SIL licensed Genseki Gothic.

    -Shippori Antique is the standard version of the font. Shippori Antique B1 (https://fonts.google.com/specimen/Shippori+Antique+B1) has rounded corners and ink pooling. +Shippori Antique is the standard version of the font. Shippori Antique B1 has rounded corners and ink pooling.

    To contribute to the project, visit github.com/fontdasu/ShipporiAntique diff --git a/ofl/shipporiantiqueb1/DESCRIPTION.en_us.html b/ofl/shipporiantiqueb1/DESCRIPTION.en_us.html index 1b1467258c..e369d3d810 100644 --- a/ofl/shipporiantiqueb1/DESCRIPTION.en_us.html +++ b/ofl/shipporiantiqueb1/DESCRIPTION.en_us.html @@ -2,7 +2,7 @@ Shippori Antique follows long-established standards for dialogue in manga and was created to provide people who draw manga in Japan a beautiful antique font for free. The Kana follow an antique, Ming Dynasty style design based on Shippori Mincho with thick lines. The Latin was designed in an old sans-serif style. Finally, the Kanji was created by modifying the SIL licensed Genseki Gothic.

    -Shippori Antique B1 features rounded corners and ink pooling. Shippori Antique (https://fonts.google.com/specimen/Shippori+Antique) is the standard version of the font. +Shippori Antique B1 features rounded corners and ink pooling. Shippori Antique is the standard version of the font.

    To contribute to the project, visit github.com/fontdasu/ShipporiAntique diff --git a/ofl/shipporimincho/DESCRIPTION.en_us.html b/ofl/shipporimincho/DESCRIPTION.en_us.html index a2439f21a0..4e33ca23f0 100644 --- a/ofl/shipporimincho/DESCRIPTION.en_us.html +++ b/ofl/shipporimincho/DESCRIPTION.en_us.html @@ -8,7 +8,7 @@ The Regular was originally designed for long-form text setting in novels and the Shippori Mincho is designed to be beautiful even when the characters are enlarged so that they can be used widely from amateurs to editorial designers. Alternate characters are also included for those who are particular about the characters. The Kanji are based on the SIL licensed font, Genryu Mincho.

    -Shippori Mincho is the standard version of the font. Shippori Mincho B1 (https://fonts.google.com/specimen/Shippori+Mincho+B1) has rounded corners and ink pooling. +Shippori Mincho is the standard version of the font. Shippori Mincho B1 has rounded corners and ink pooling.

    To contribute to the project, visit github.com/fontdasu/ShipporiMincho diff --git a/ofl/shipporiminchob1/DESCRIPTION.en_us.html b/ofl/shipporiminchob1/DESCRIPTION.en_us.html index a2439f21a0..57c8443362 100644 --- a/ofl/shipporiminchob1/DESCRIPTION.en_us.html +++ b/ofl/shipporiminchob1/DESCRIPTION.en_us.html @@ -8,7 +8,7 @@ The Regular was originally designed for long-form text setting in novels and the Shippori Mincho is designed to be beautiful even when the characters are enlarged so that they can be used widely from amateurs to editorial designers. Alternate characters are also included for those who are particular about the characters. The Kanji are based on the SIL licensed font, Genryu Mincho.

    -Shippori Mincho is the standard version of the font. Shippori Mincho B1 (https://fonts.google.com/specimen/Shippori+Mincho+B1) has rounded corners and ink pooling. +Shippori Mincho B1 has rounded corners and ink pooling. Shippori Mincho is the standard version of the font.

    To contribute to the project, visit github.com/fontdasu/ShipporiMincho diff --git a/ofl/varta/DESCRIPTION.en_us.html b/ofl/varta/DESCRIPTION.en_us.html index eabe0f1363..6dea640dbb 100644 --- a/ofl/varta/DESCRIPTION.en_us.html +++ b/ofl/varta/DESCRIPTION.en_us.html @@ -2,6 +2,6 @@

    It is a variable font that has been designed to render well down to surprisingly small sizes and on both low and high-quality screens, which provides a broad range of utility.

    Its features make it well suited to a variety of tasks, including sign systems, editorial design, packaging, and extended reading on screens.

    -

    To contribute, see https://github.com/SorkinType/Varta

    +

    To contribute, see github.com/SorkinType/Varta

    Varta is published by Sorkin Type.

    diff --git a/ofl/xanhmono/DESCRIPTION.en_us.html b/ofl/xanhmono/DESCRIPTION.en_us.html index cc1207f6b0..b2be9f3325 100644 --- a/ofl/xanhmono/DESCRIPTION.en_us.html +++ b/ofl/xanhmono/DESCRIPTION.en_us.html @@ -6,5 +6,5 @@ In Vietnamese, “Xanh” has a lot of meanings, including blue; green; young; e Xanh Mono là một mặt chữ mono có chân, được thiết kế bởi Lâm Bảo và Duy Đào từ xưởng đúc chữ kĩ thuật số đầu tiên tại Việt Nam, còn được biết đến là Yellow Type Foundry. Xanh Mono theo sự lắng đọng, nhẹ nhàng nhưng vẫn đủ cá tính để vừa sử dụng cho trải nghiệm đọc và tiêu đề lớn.Bảo và Duy hy vọng Xanh Mono sẽ là sự lựa chọn phông chữ tuyệt vời dành cho bạn.

    -To contribute see https://github.com/yellow-type-foundry/xanhmono. +To contribute see github.com/yellow-type-foundry/xanhmono.

    diff --git a/ofl/zenmarugothic/DESCRIPTION.en_us.html b/ofl/zenmarugothic/DESCRIPTION.en_us.html index 1e93a4e000..97d6001a30 100644 --- a/ofl/zenmarugothic/DESCRIPTION.en_us.html +++ b/ofl/zenmarugothic/DESCRIPTION.en_us.html @@ -3,13 +3,13 @@ for any communications.

    - To contribute to the project, visit https://github.com/googlefonts/zen-marugothic + To contribute to the project, visit github.com/googlefonts/zen-marugothic

    Zen Maru Gothicは、角の深い丸みによってソフトでナチュラルな印象を与える丸ゴシック体です。この特有のソフトな印象により、細いウエイトはどのようなシーンにも似合います。キュートでオシャレなこのフォントは、様々な場面で柔らかくふんわりとしたコミュニケーションに活用できます。

    - このプロジェクトに参加するには、こちらのリンクへ https://github.com/googlefonts/zen-marugothic + このプロジェクトに参加するには、こちらのリンクへ github.com/googlefonts/zen-marugothic

    To learn more, read Say Hello to our big new Japanese collection with Zen Fonts(English), The Story of Zen Fonts - interview with Yoshimichi Ohira(English), -- 2.47.2