From 46dd229dd35e157dcefeb628615a54434d91cbf0 Mon Sep 17 00:00:00 2001 From: shailenpatel2 Date: Wed, 26 Jul 2023 13:39:56 -0700 Subject: [PATCH] update Gulzar article --- ofl/gulzar/article/ARTICLE.en_us.html | 2 +- 1 file changed, 1 insertion(+), 1 deletion(-) diff --git a/ofl/gulzar/article/ARTICLE.en_us.html b/ofl/gulzar/article/ARTICLE.en_us.html index c1d105b77e..67c02d6fe6 100644 --- a/ofl/gulzar/article/ARTICLE.en_us.html +++ b/ofl/gulzar/article/ARTICLE.en_us.html @@ -32,4 +32,4 @@

"Designing a digital Nasta'liq typeface was my long-held dream," Izadpanah stated. As the principal Gulzar designer, he conducted the preliminary research and drew the glyphs.

Ross was familiar with the Urdu language and type design from her language studies and earlier work on two Nasta'liq typefaces, Sheeraz and Qalmi, for which Linotype acquired a patent.

To make a modern digital font based on the Urdu flavor of the Nasta'liq style, Izadpanah studied the proportions, stroke modulation, and character features in calligraphy manuals and a collection of lettering specimens

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To learn more, visit "Gulzar: Expanding the variety of urdu Nasta'liq options" (English, Urdu) and "Why are there so few Urdu fonts?" (English, Urdu).

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To learn more, visit "Gulzar: Expanding the variety of Urdu Nasta'liq options" (English, Urdu) and "Why are there so few Urdu fonts?" (English, Urdu).

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