From d4d90da850e7141bba36e5e5b4c1d9b686dbaecb Mon Sep 17 00:00:00 2001
From: Bonzey2416 <98016194+Bonzey2416@users.noreply.github.com>
Date: Thu, 25 Jan 2024 12:45:33 +0000
Subject: [PATCH] Dead link

---
 .../emotive_considerations_for_choosing_typefaces/content.md    | 2 --
 1 file changed, 2 deletions(-)

diff --git a/cc-by-sa/knowledge/modules/choosing_type/lessons/emotive_considerations_for_choosing_typefaces/content.md b/cc-by-sa/knowledge/modules/choosing_type/lessons/emotive_considerations_for_choosing_typefaces/content.md
index 0ae390f743..d5481d7eb4 100644
--- a/cc-by-sa/knowledge/modules/choosing_type/lessons/emotive_considerations_for_choosing_typefaces/content.md
+++ b/cc-by-sa/knowledge/modules/choosing_type/lessons/emotive_considerations_for_choosing_typefaces/content.md
@@ -24,8 +24,6 @@ And it’s not just about trust. It’s important to remember that readers needn
 
 It’s our job as [typographers](/glossary/typographer)—as people who *do* know about type—to help guide our audience by invoking the most appropriate emotional response.
 
-For an interactive example, Adobe Fonts created a light-hearted game with type educator Sarah Hyndman to explore some of the traits associated with certain typefaces. You can play the game online at [game.fonts.adobe.com](https://game.fonts.adobe.com/).
-
 [//]: # (1st content drop: This would actually be a great place to get Sarah Hyndman to share on overview of her work in this area, which could be used as a key summary on emotive responses to type.)
 
 Although most readers are unlikely to have a detailed knowledge of typographic history, the shared cultural understanding they bring to type is frequently based on history: Type can often evoke a feeling from a certain era, from [blackletter](/glossary/blackletter) type that depicts medieval contexts, to curvacious, bell-bottomed display faces that instantly conjure the feel of the 1970s.
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2.47.2